Commissioned Works

The High Line, New York (2023)

Harvard University (2023)

Berghain For CTM Festival (2023)

KW Institute For Contemporary Art (2023)

Sub-bass Soundtrack for Maikon.K (2023)

Low-Frequency Sound Workshop( 2023)

Infrasonic Sountrack for Animate (2022)

1964-1985 (2019)

Sound design for The Experimental Buthô Group (2018)

Coletivo PAY Picanha After Yoga(2015-2016)

Infrasonic Sountrack for Animate at Kunstfest Festival in Weimar

An Augment Reality Performance, Installation and Radio Play

August 2022- September 2022

I created an Infrasonic (from 12hz to 40hz) soundtrack utilising two VLCF Meyer Subwoofers arranged in a R-45 style.

“Animate” offers a singular perspective through the work of many. A chimerical three-part installation that puts the trip in triptych, the project addresses the ever-increasing urgency of climate action through spatial, acoustic, visual and haptic technologies—not only allowing you to see and hear, but also to 𝘧𝘦𝘦𝘭 the story.

Fascinating augmented reality parcours on the impending climate catastrophe between performance, installation and radio play. In a near future, Daniel and Laurie are on the run from a world shaped by the effects of climate change. Their journey takes them through the wild landscapes of Newfoundland. While the car radio is playing news about global climate catastrophes, they drive to the Tablelands - an extraordinary, Mars-like landscape in the middle of Gros Morne National Park. On the way there, they drive through a landscape changed by climate change, which appears to them as an awake, living and breathing being: The landscape makes strange noises and affects Daniel and Laurie physically and psychologically.

“Animate” will also be presented at MUTEK.CA, MUTEK.JP, Muffathalle, Munich, PAD Festival Darmstadt, Kleist-Festtage, Frankfurt (Oder), and Théâtres de la Ville de Luxembourg. A radio version will be presented the same day via Deutschlandfunk Kultur.


More informations here.