Works and lives in Berlin
(b. São Paulo)

Stefanie Egedy investigates sound as a composer of conceptual pieces, music, commissioned works, and electronic music. Currently, she is focused on researching possibilities with low-frequency sound, bodies, and subwoofers. Egedy’s artistic practice stems from installations to live performances as sonic propositions. Sub-bass, bass, infrasound, subwoofers, and their capacity to make themselves present in a space, are the foundations of her artistic practice. Alongside the possibilities of interaction between human/architectural bodies and sound waves, using field recordings, analog, and digital synthesis. Besieged by this scenario, Egedy articulates the cross-over between sonorous and musical language to investigate sonic communication between beings.

Furthermore, Egedy co-runs the label COISAS QUE MATAM (THINGS THAT KILL), researches the relations between light and sound with Camille Laurent, and is Executive Operations at Monom, Berlin’s Center for Spatial Sound, and has worked with Chris Salter on his latest spatial production; whilst a former academic investigation of the political impacts of social and technological acceleration during a bachelor’s in Public Administration and Philosophy resonates with the work.

Stefanie Egedy has worked with- and exhibited in places such as CTM Festival (Berlin), KW Institute for Contemporary Art (Berlin), Berghain (Berlin), Kunstfest (Weimar), Zentrale (Vienna), Patchlab Festival (Krakow), Museu de Arte Moderno (Buenos Aires), MIS – Museu da Imagem e do Som (São Paulo), Mamba Negra party (São Paulo) and Festival Novas Frequências (Rio de Janeiro) and is part of the Creative Europe-supported SHAPE+ 2022-2023 artist roster.

2019 B.A in Philosophy by PUC-SP

2018 B.A in Public Administration by Fundação Getúlio Vargas (FGV)

Research paper - “The Experience of Acceleration and the Desertified Time” in PUC-SP

Curriculum Vitae